Enlightenment
- Commentary
- + –
@ Science
- + –
@ Scientific Revolution
- @ Kepler (1571-1630)
- @ Galileo (1564-1642)
- @ Huygens (1629-1695)
- @ Isaac Newton (1643–1727)
- @ Francis Bacon (1561–1626)
- @ René Descartes (1596–1650)
- @ Robert Boyle (1627-1691)
- @ John Napier (1550-1617)
- @ Blaise Pascal (1623-1662)
- @ Gottfried Leibniz (1646–1716)
- @ Antonie van Leeuwenhoek (1632-1723)
- @ William Gilbert (1544-1603)
- @ Luiggi Galvani ( 1737 – 1798)
- @ Alessandro Volta (1745 – 1827)
- @ Antoine Lavoisier (1743 – 1794)
- @ Joseph Black ( 1728 – 1799)
- @ Joseph Priestley (1733 – 1804)
- @ James Hutton (1726 – 1797)
- @ Adam Smith (1723– 1790)
- @ Herschel (1738 – 1822)
- + –
@ Scientific Revolution
- Mathematics
- + – @ Philosophy
- Encyclopedias
- @ Scientific societies
- Universities
- @ Music -Baroque (1637-…)
- Commentary
- + –
@ Baroque instruments
- Commentary
- + –
Theory and notation
- Commentary
- + –
@ Ornamentation
- Commentary
- + –
@ Well temperament
- Commentary
- + – @ Claudio Monteverdi (1567–1643)
- + – @ Girolamo Frescobaldi ( 1583 – 1643)
- + – @ Heinrich Schutz (1585 – 1672)
- + –
@ Jean-Baptiste Lully(1632 – 1687)
- @ Fanfarria para el carrousel real
- @ Chaconas y pasacaglias
- + – Ballet
- + – Opera
- + – Keyboard
- + – @ Dietrich Buxtehude (1637-1707)
- + – @ Marc-Antoine Charpentier (1643 – 1704)
- + – @ Arcangelo Corelli ( 1653 – 1713)
- + – @ Johan Pachebel (1653 – 1706)
- + – @ Marin Marais (1656- 1728)
- + –
@ Henry Purcell (1659-1695)
- @ Sonatas
- + – Organo
- + – Orquesta
- + – Musica Coral
- + –
@ Alessandro Scarlatti (1660-1725)
- + – Operas
- + – Cantatas
- + – Concerti
- + – Tocattas y Sonatas
- + – @ Francoise Couperin (1668 – 1733)
- + – @ Tomaso Albinioni (1671 – 1751)
- + –
@ Antonio Vivaldi( 1678-1741)
- + – Concerti
- + – Sonatas
- + – Opera
- + – @ George Philip Telemann (1681–1767)
- + – @ Jean=Philippe Rameau ( 1683 –1764)
- + –
@ Johan Sebastian Bach (1685-1750)
- Comentario
- @ Organo
- @ Suites para Cello
- @ Laud
- @ Suites Orquestales
- + – Conciertos
- @ Cantatas Seculares
- + –
Clavicordio
- Comentario
- + – El clave bien templado
- + –
@ English suites
- @ Arndras Schiff
- @ Murray Perahia
- @ Glen Gould
- Comentario
- + –
@ French suites
- @ Murray Perahia
- @ Andras Schiff
- @ Keith Jarret
- Comentario
- + –
@ Fantasia cromatica y fuga
- @ Andras Schiff
- @ Karl Richter
- Comentario
- + –
Concierto Italiano
- @ Glen Gould
- Comentario
- + – Variaciones Goldberg
- + –
Partitas
- @ Karl Richter
- @ Rosalyn Turek
- Comentario
- + –
Tocatas
- @ Eunice Morton
- @ Stepan Simonian
- Comentario
- + –
Invenciones
- @ Glen Gould
- @ Eugeni Koriolov
- Comentario
- + –
Pequeños preludios
- @ Tatiana Nikolayeva
- @ Aurelien Delage
- Comentario
- + – El Arte de la Fuga
- + –
@ George Friederich Haendel (1685-1759)
- + – Orquesta
- + – Concertos
- + – Teclado
- + –
@ Opera
- + – @ Guiulio Cesare
- Alessandro
- Tamerlano
- Xerxes
- ….
- + – @ Domenico Scarlatti (1685-1757)
- @ Baroque Sacred music
- @ Baroque instruments
- Notation
- + – @ Dietrich Buxtehude
- + – @ Johan Sebastian Bach
- @ George Friederich Haendel
- @ Antonio Vivaldi
- @ Alessandro Scarlatti
- @ Domenico Scarlatti
- @ Henry Purcell
- @ George Philip Telemann
- @ Jean-Baptiste Lully
- @ Marc-Antoine Charpentier
- @ Marin Marais
- @ Arcangelo Corelli
- @ Tomaso Albinioni
- @ Francoise Couperin
- @ Claudio Monteverdi
- + – @ Heinrich Schutz
- @ Girolamo Frescobaldi
- @ Jean Philippe Rameau
- @ Johan Pachebel
- + – @ Ignacio de Jerusalem
- + – @ Manuel de Zumaya